Quotes
text
Contents
Paul Strand 11
Man Ray 17
Cecil Beaton 25
Jacques-Henri Lartigue 34
Brassai 37
Andre Kertesz 42
George Rodger 46
Henri Cartier-Bresson 64
Robert Doisneau 75
Herbert Bayer 97
Henry Holmes Smith 113
Helmut Gernsheim 133
Brett Weston 169
Manuel Alvarez Bravo 179
Eliot Porter 189
W. Eugene Smith 200
Laura Gilpin 221
Imogen Cunningham 229
Wynn Bullock 243
Minor White 261
Beaumont Newhall 289
Ansel Adams 314
Index 335
Index A-C
A
Abbott, Berenice, 23, 165, 307
Abu Simbel. 157
Adams, Ansel, 40, 108, 110, 126, 171, 188-190, 192, 197, 216, 223, 267-69, 272-3, 296-8, 301, 307-10, 314-333
Adams, Clinton, 304
Adamson, Robert, 149, 152
‘Adet’, 86
Afterimage, 188
Agence Rapho, 79, 82, 86, 89
Albers, Josef, 100, 104, 300
Album, 139
Alland, Alexander, 307
Alliance Photo, 85
Almassy, Paul, 167
Alvin Langdon Coburn, Photographer (Gernsheim), 166,231,309
America.- Picture Book of an Architect (Mendelsohn), 295
American Ceramic Society, 118
American Earth, The, 309, 325
American Museum of Natural Histo1y, 226
American Place, An, 173, 190-1, 294,319
American Society of Magazine Photographers, The,303
Americans, The (Frank), 213
‘Amputations’ (White), 266, 271
Anderson, Paul, 222
Annan, Craig, 149-152
Annan, Thomas, 150
Apenure, 65-66, 216, 273-4, 278, 302
Aperture Histo1y of Photography series, 66
Arbus, Diane, 213, 297, 302
Architects’Joumal, The, 145
Architectural Review, The, 145, 148
Armitage, Merle, 175
Armo1y show (1913), 18,316
Art Center (California), 22
Art Center School, 246, 3128, 326
Art and Photography (ScharO, 160
Art Through the Ages (Gardner), 115
Arts Council of Great Britain, 61, 155
Ascent of Man, The (Bronowski), 251
Ashton, Leigh, 155
Aspen Institute for Humanistic Studies, 110
‘Assassinated Worker, The’ (Bravo), 184
Atget, Eugene, 23-4, 45, 88, 94, 159, 165, 306-7
Atlantic Richfield, 110
Avedon, Richard, 32, 235, 240
B
Baer, Morley and Frances, 175
Bailey, David, 32
Bailey, Oscar, 127
Barbey, Bruno, 62
Barr, Alfred J., jr., 291
‘Battles and Games’ (Smith), 123
Baudelaire, Charles, 94
Bauhaus, 76, 98-107, 112, ff-21. 1 . t – (see also New Bauhaus)
Bavarian State School of Photography 134
Bayer, Herbert, 97-112. 135
Beame, Abraham, 45
Beaton, Cecil, 25-33, 87, 137, 156, 232
Beautiful London (Gernsheim), 145
Beethoven, Ludwig van, 208, 328
Bell, Clive, 148, 156
Bell, Quentin, 148
Bell, Vanessa, 148-9
Berliner Illustrierte, 135
Beny, Ian, 62
Bibliograpby of British Books Illustrated with
Original Pbotographs, A (Gernsheirn), 166
Bibliography of British Photographic
Literature, A (Gernsheim), 166
Biblioteque Nationale, 40, 157
Bischof, Werner, 86
Bistro-Tabac (Brassai), 41
Black Star agency, 50-1
‘Blind Woman, The’ (Strand), 13
Bloomsbmy School of Photography, 49
‘Bohemia’ (Rousseau), 187
Bonnard, Pierre, 38, 7 4
Book of Beauty (Beaton), 28
Born Free and Equal (Adams), 324
Boubat, Edouard, 83
Bourke-W’hite, Margaret, 203-4
Bourne, Samuel, 149
‘Bowls’ (Strand), 14
Boyer, Alden Scott, 305
Brady, Mathew, 160, 307, 320, 323
Brancusi, Constantin, 13, 19
Brandt, Bill, 23, 30, 51, 73, 137, 188, 259
Braque, Georges, 13, 23, 38
Brassa·1, 23, 37-41, 44, 73, 75, 74, 79, 83, 92
Bravo, Manuel Alvarez, 67, 179-188
Breton, Andre, 65, 183-4
Brett Weston Photographs, 175
336 •
Breuer, Marcel, 99-100, 104, 107
Brigman, Anne, 235
British Broadcasting Corporation (BBC),
48-50, 162-3
British Film Institute, 156
British Medical Society, 246
British Museum, 144, 151, 153, 224
British Royal Family, 31
Brodovitch, Alexey, 38
Bronowski, Dr. Jacob, 129, 251
Brower, David, 194
Bruce, David, 152
Bruehl, Anton, 119,321
Bruguiere, Francis, 116-7, 119
Bullock, Wynn, 108, 243-260, 284
Bunnell, Peter, 311
Burden, Shirley, 274
Bystander, 50
C
Cagney, James, 235
California School of Fine Arts, 268, 274, 326
California and tbe West (Weston), 297
Callahan, Hany, 267
Camera, 167
Camera Club (Boston), 295
Camera Craft, 264,315
Camera 1Vork, 13,150,222,232,273,285,315
Cameron, Julia Margaret, 146, 148-9, 152, 159,
240, 296, 311
Cannes Festival, 40
Canyon de Chelly, 224,227,307,311
Capa, Cornell, 71, 216
Capa, Robert, 52-59, 68-69, 86, 216
Caponigro, Paul, 197, 278, 286, 301
Carjat, Etienne, 296
Carlyle, Thomas, 149
Carroll, Lewis, 151-2
Cartier-Bresson, Henri, 23, 39, 44, 55, 57, 64-
74, 80,85, 159,174,181,183,188,217,227,
236,299,313,327
Castaneda, Carlos, 285
‘Cathedral of Socialism’ (Feininger), 98
Cendrars, Blaise, 79, 84-5, 94
Central School of Classic Art, 180
Cezanne, Paul, 13, 244, 248
Chagall, Marc, 43
Champs delicieux, 137
Chappell,W alter,2 75
Charles-Roux, Edmonde de, 86
Charlot, Jean, 170
Chemische Versuche (Schulze), 151
Chicago Art Institute, 116
Chicagoan, The, 115
Chisso Corporation, 218
Christian IX, King, 54
Churchill Club, 145
Churchill, His Life in Photographs
(Gernsheim), 145
Churchill, Randolph, 144
Churchill,W inston,1 44
‘City Hall Park'(Strand), 12
Clark, Sir Kenneth, 145, 155-6
Clark, Lady, 145
Clergue, Lucien, 167
Clifford, Charles, 135
Clift, Bill, 199
Cloisters, The, 290
Clore, Charles, 163
Coburn, Alvin Langdon, 166, 231, 309
Coke, Van Deren, 127, 161, 304
Coleman, A D., 279
College of Art Journal, The, 291
Colliers, 115, 204
Combined Societies, 138-9
Comptes Rendues, 153
‘Concerned Photographer, The’ (Smith), 216
Concerning the Spiritual in Art (Kadinsky), 98
Concise History (Gernsheim), 159
Container Corporation of America, 107-9, 273
Contrejour, 188
Conversations avec Picasso (Brassa1), 41
Cooling Galle1y, London, 27-8
Cordier, Pierre, 167
Corot, Camille, 41
‘Country Doctor, The’ (Smith), 208-9, 212
Count1y Life, 145, 148
Counauld Institute of Art, 139, 145, 160, 290
Cox, Trenchard, 162
Craig, Gordon, 116
Creative Arts, 115
Creative Camera, 167
Creative Photography group, 139
Creative Photography (ScharD, 160
‘Creative Photography, 1826 to the Present’, 164
Cubism and Abstract show, 292
Cubists (ism), 13, 106, 248, 290-1
Cunningham, Imagen, 198, 229-242, 315,319
Curtis,Al fred,2 21
Curtis, Edward, 224, 229-30. 233, 309, 311
D-L
D
Dadaism, 18, 21, 23, 102
Daguerre, 150, 155, 160
Dali, Salvador, 28, 109
Dame, Die, 135
Danielle’s, 18
Darwin, Charles, 149
Daumier, Honore, 296
David Octavius Hill (Schwarz), 152, 296 Davidson, Bruce, 198
Davies, Sue, 139
Daybooks (Weston), 115,177,302
de Brunhoff, Michel, 86
‘Decadent Art’ exhibition, 135
‘Deed ofDemission’ (Hill), 150
Degas, Edgar,65,309
de Gaulle, Charles, 51, 55
Delacroix, Eugene, 41, 302
Delano, Jack, 14
Delius, Frederick, 207
Delphic Galle1y, 191
Delpire, Robert, 57-8, 66
De Meyer, Baron Alfred, 30, 232
Design, 117
Deutsche Werkbund, 292
de Young Museum, 171,319
Dictionary of National Biography, 149
Die Form, 292
Dieuzaide, Jean, 167
Dilaccer, Antoinette, 152
Dityvon (Raimond Dityvon), Claude, 93
Dixon, Maynard, 236
Doisneau, Robert, 57, 68, 75-96
Doors of Perception, The (Huxley), 275
Dove, Arthur, 13, 232, 321
Drawingfrom the Cast (Gardner), 115
Du,45
Du Camp, Maxine, 309
Duchamp, Marcel, 18, 23
Duckworth,Julia, 149,311
Duell, Charles, 300
Dumont, Rene, 70
E
Eastman, George, 300 (see also George Eastman House)
Eastman Charitable Trust, 301
Eastman Kodak Company, 192, 196, 300
Ecole de Photo de Vaugirard, 91
Eder, Joseph Maria, 157, 307
Edward VII (Gernsheim), 154
Edward VlII, King, 49
Edwards, Emily, 183
Edwards, John Paul, 319
‘Egg Slicer, The’ (Weston), 115
‘Egyptian Family’ (Rodger), 58
Eisenstaedt, Alfred, 55, 106, 135
Eisenstein, Sergei, 106, 170
Eisner, Marie, 56
‘Elephants Have Right of Way’, 58
Elizabeth, Queen (mother), 31
Elliott, Dr. Andrew, 150
Eloquent Light, The, 309
Emerson, Peter Henry, 308-9
Encyclopaedia Britannica, 159, 166, 257
‘Entrants de Mondrian’ (Kertesz), 44
Entretiens (Breton),
65 Erdekes Ujsag, 43
Erwitt, Elliott, 83
Ethical Culture School, 11
‘Evaluating Photography’, 282
Evans, Walker, 14, 67,108,183,198,218,293, 298,307,309,320
Excelsior, 78
Expressionists (ism), 101-2,
F
Family of Man
Far Horizons (Adams)
Farm Security Administration (FSA), 14, 48,
159,183,225,235,245, 293,303190
Fashion and Reality (Gernsheim), 154
Feininger, Lyonel, 98, 245
Fenton, Roger, 149
Festival of Britain exhibition, 150
Fichter, Robert, 127
Fieger, Erwin, 160, 167
‘Film und Foto’, 103, 170, 181, 292
‘Flea Market, The’ (Doisneau), 78
Focus on Architecture and Sculpture
(Gernsheim), 145-6
Fondo Editorial de la Plastica Mexicana, 185
Fontana, Franco, 160, 167
Ford, Colin, 152
Forth, Robert, 130
Fortune, 322, 327
Fountain Press, 146, 157-8
Frank, Robert, 212-6, 302
Franklin College, 134
French Society of Photography, 88, 157, 293
Freund, Karl, 295
Friedlander, Lee, 302
Friends of the Bauhaus, 100
Frith, William Powell, 149
‘Front de Seine’ (Doisneau), 89
Frontier Films, 14
Fiy, Roger, 148, 296
Futurists, 20
G
Gal, Pino dal, 167
Garbo, Greta, 31
Gardner, Helen, 115
Gmdner’s Photographic Sketch Book of
the War, 151
Gauguin, Paul, 248
Gauthier Villars. 153
Gee, Helen, 311
George Eastman Associates. 30 I
George Eastman House, 1:2 . 16…-. :
277, 302-4, 306,309,323
George N, King, 31
Gernsheim, Alison, 146, 153-5, 15- lb:?-_
Gernsheim, Helmut, 133-168, 306
Gernsheim Museum of Photographv.
Foundation, 164
Gianella, Victor, 167
‘Giant, The’ (Smith), 124
Gibbs-Smith, Charles, 158, 162
Gibson, Ralph, 214, 281
Gilpin, Laura, 221-228
Gosling, Nigel, 152, 163
Goya, Francisco Jose de 15, 20
Graffiti, 41
Grant, Ca1y, 235
Graves, Morris, 239
Grimes, Sam, 195
Gropius, Walter, 99-107
Gros, Andre, 166
Grosset, Raymond, 82, 86
Grosz, George, 102
Group f/64, 171,223, 234-5, 293,319
Guggenheim Fellowship, 176,199,241, 297,
299,310, 325-6, 328
Gurdjieff, 275, 277, 282, 286
H
Hagemeyer,Johan, 170, 174
Harper’s Bazaar, 22, 35, 38
Hartley, Marsden, 13, 321
Hastings, MacDonald, 51, 162
Hattersley, Ralph, 127, 302
Hausser, Robert, 167
Haz, Nicholas, 123
Heartfield,J ohn,1 02, 135
Heckroth, Hein, 143
Heinecken, Robert, 255
Hemingway, Ernest, 313
Hemy Miller: Grandeur Nature (Brassai),
40,41
Herrigel, Eugene, 124
Herschel,John, 149
Hicks,W ilson, 204
Hill, D. 0., 150, 152, 159, 296
Hine, Lewis, 11, 12
Hirn, 35
Histoire de Marie, l’ (Brassai), 41
‘Histoire d’un soldat, L’ (Stravinsky), 100
History of Photography, The (Gernsheim),
146, 154-5
History, of Photography, The (Newhall),
300,310
History of Photography (Stenger), 157
‘Hist01y of Photography’ exhibition, 239
Hitachi, 217
Holiday, 175
Hopkinson, Torn, 156
Hoppe, E. o., 137-8
How to Make Better Pictures (Kodak), 295
How the Other Half Lives (Riis), 307
Hugo, Charles, 309
Hugo, Victor, 309
Hull House, 183
Hundred Years of Photography, A (Moholy),
137
Hurder & Oiffield, 318
Hutton, Kurt, 50
Huxley, Aldous, 275
Huxley, Sir Julian, 157
I
I Ching, 277
Idylls of the King (Tennyson), 149
Illustrated, 56
Illustrated London News, 145, 226
Jllustrie1te Zeitung, 306
Image, 301-2
In \Vildness (Porter), 193, 199
‘Indian Family’ (Rodger), 58
Indiana University, 123, 126-7
Ingres, Jean Auguste, 19
Institute of British Photographers, 134
Institute of Contemporary Arts, 139
Institute of Design, 107
Itten,J ohannes, 99-102, 104
J
Jackson, \YI. H., 226,331
Jacobi, Lotte, 126
Jannings, Emil, 295
‘Jardin’ (Frevert), 90
Jeffers, Robinson, 171
Jewish Museum, Smith exl1ibition at, 217-8
Johnston, J. Dudley, 138, 161
Julia Margaret Cameron (Gernsheim),
146, 152
Jung,Carl,287
K
Kalvar, Richard, 93
Kaminski, Edward, 246
Kandinsky, Vasili, 98, 100-1, 104
Kane, Art, 108
Kasebier, Gertrude, 12, 222-3, 229, 232, 294
Kelly, Sir Gerald, 156
Kennedy, Clarence, 301
Kepes, Gyorgy, 120
Kertesz, Andre, 37-8, 42-5, 75, 106
Keystone Agency, 43
Kirstein, Lincoln, 68, 298-9
Klee, Paul, 99-101, 104
Korff, Kurt, 135
Krims, Les, 240
L
Labyrintbe, 41
Ladies’ Home Journal, 56
La Faille, Georges, 92
Lamartine, Alphonse de, 94
Land, Dr. Edwin, 194, 325, 331
Land Birds of America, 195
Landau, Ergy, 79
Landry, Bob, 51
Lange, Dorothea, 14,198,217,235,273,
293,315,324,326
Lartigue,J acques-Henri,3 4-36
Lazar, Arthur, 199
Le Bas, Boy, 27
Leclerc, Colonel Jean, 51, 55
Lecuyer, Raymond, 157
Leger, Fernand, 85
Le Gray, Gustave, 149
Legion of Honor Museum, 271
Le Grande Art Center, 264-5
Lejard, Andre, 292
Le Querrec, Guy, 93
Lerski, Helmar, 135
Let Us Now Praise Famous Men
(Agee and Evans), 218
Levy,J ulien; Galle1y of,4 4,6 7, 109,1 65,1 83
Lewis Carroll – Photographer (Gernsheim)
152
Lhote, Andre, 65, 74
Library of Congress, 165, 226
Life, 44, 49, 50-5, 70, 82, 88, 202-5, 208-211,
213,219,226,280,294,322
Life and Landscape on tbe Nmfolk Broads
(Emerson & Gernsheim), 147
‘Life in Paris’ (Doisneau), 86
Ligbt, 273
Lissitzky, El, 102, 137
Listener, The, 49
Living Birds of tbe World, 195
Living Insects of tbe World, 195
London Salon, 137
Looking at Pbotograpbs (Szarkowski), 68, 279
Lorant, Stefan, 50, 135, 306
Los Angeles County Museum, 234, 246
Lower Animals, The, 195
Luce, Herny, 51, 52, 294
Lummis, Charles, 309-10
Lyons, Nathan, 126-128, 302-305
M-R
M
Mabry, Thomas Dabney, 298
McAlpin, David, 191, 298, 311, 322
Macbeth, 116
McCarthy, Joseph, 70
MacPherson, Robert, 149
‘Magnolia’ (Cunningham), 239
Magnum, 55-6, 58-9, 61-2, 68-9, 86, 212,
215,329
Magritte, Rene, 106
Maher, Herbert, 108
‘Maid at the Window, The’ (Brandt), 259
Making a Photograph (Adams), 298
Malevich, Kazimir, 102
Mait an,J osef,1 00
Man, Felix H., 152, 306
Man Behind the Camera, The (Gernsheim)
Manet, Edouard, 20
Mann, Marge1y, 230, 236
Marginalia (Lucia Moholy), 137
Marin, John, 13, 232, 321
Marshall Field’s, 118
Mary, Queen, 31
Massachusetts Institute of Technology (MIT),
194,276,280,282,284
Massey, Vincent, 140
‘Masterpieces of Victorian Photography’, 155
Matisse, Henri, 23-4, 38, 259
Meatyard, Ralph Eugene, 127
Memories, Dreams, Reflections Qung), 287
Mendelsohn, Erich, 295
Messerli,N iggi,1 67
Metropolitan Museum of Art, 24, 290, 298, 323
‘Mexico’, 184
‘Mexico Photographs’ (Bruehl), 119
Meyer, Hannes, 103-4
Michaelson, Kate, 152
Michals, Duane, 82
Miller, Henry, 40-1
Mills College, 232, 234-5
Minamata (Smith), 206,211,215, 217-9
Minicam, 121-3
Ministere des Sports et de la jeunesse, 80
Ministry of Information (London), 31, 145
Mirrors, Messages and Manifestations (\Xlhite),
272,286
Modotti, Tina, 180-2
Moholy, Lucia, 102, 137, 141
Moholy-Nagy, Llszl6, 106, 117-23, 135, 137,
159, 292-3, 298,303
Mohr, Jean, 167
Mondrian, Pieter Cornelis, 43-4
Montgomery, General Bernard, 54
342 •
Moonrise (Adams), 328
Moore, Raymond, 167
Morgan, Barbara, 170, 267, 273, 275, 306,
309,324
Morris, William, Arts and Crafts group of, 292
Muhr, Adolf, 233
Mumford, Lewis, 292
Munkacsi, Martin, 43, 66, 74, 106, 135
Musee de l’Armee, 80
Museum of the City of New York, 294
Museum of Modern Art (MOMA), 24, 44, 68, 107,146,164, 182,239,267,275,290-2,298, 302-4,313, 319,321,323
Museum of Modern Art (Moscow), 185
Museum of Modern Art (Stockholm) 165
Music Box Revue, 244
Muybridge, Eadweard, 160
My Camera in the National Park (Adams), 326
Mydans, Carl, 204
Mysticism, 275
N
Nadar, 152
Napoleon, 39, 80
Nast, Conde 45
National Buildings Record (NBR), 142-145
ational Collection of Photography, 156
National Endowment of the Arts grant, 176
National Galle1y, exhibition at, 145
National Geographic, 58, 194
National Institute of Art (Mexico), 185
National Portrait Galle1y, 32, 139
National Press Photographers Association of
America, 302-3
National Science Foundation, 198
National Treasury (Mexico), 180
National Trust, 162
Navahos, Gilpin and, 224-227
Negre, Charles, 160
‘Neue Sachlichkeit’, 101, 134
Neusi.iss, Floris, 167
New Bauhaus, 101, 107, 118-21, 137
‘New Objectivity’, 101
New Photo vision (Gernsheim), 138, 143, 145-6
New Vision, The (Moholy-Nagy), 117-8, 120
New York School, 18
New York Times, The, 204, 306
New Yorker, The, 115, 292
Newhall Beaumont, 23, 68, 107, 146-7, 155,
159,165,174,258,267,274, 289-313, 320,
322-3, 331
Newhall, Nancy, 15, 68, 146, 173-4, 194, 267-8,
271, 273, 275, 290-1, 293, 296-305, 307-10,
322-3, 325, 330-1
Newsweek, 202
Niepce, Joseph N., 155
Noel, Frank (‘Pappy’), 201
Nubas of Kordofan, 55, 57, 63
‘Nude Descending the Staircase’ (Duchamp), 18
Numberg, Walter, 137
‘Nurse-Midwife’ (Smith) 208
O
Observateur; L’, 82
‘Oeil de Paris, L'(Miller), 40
Ohio State University, 117
O’Keeffe, Georgia, 190-1, 238,267,298
Olga, Princess, 31
‘One Hundred Years of Photography’, 156
Optical Society of America, 196
Oregon Camera Club, 264, 271
Orozco, Jose Clemente, 170, 181
O’Sullivan, T. H., 307, 311, 331-2
Oxford University Press, 154, 158
P
Paepcke, Walter, 109
Painted 1.Y/alls of Mexico, The (Bravo and
Edwards), 183
Painting and Photography (Gernsheim), 161
Palacio de Bellas Arte . 1 2
Pare Montsouris (Preverr). 90
Paris after Dark (Brassai), 3
Paris de nuit (Brassai), 38, 40, -5, 90
Paris secret des annees (Brassai), 39. -! 1
Parkinson, Norman, 32
Paroles en !’air (Brassai), 41
Payant, Felix, 117
Pencil of Nature (Talbot), 150
Penn, Itving, 32, 87
Penrose Annual, 118
‘People Are People the World Over’, 56, 58
‘Pepper’ (Weston), 116, 130, 132
Peter Grimes (Britten), 208
Pevsner, Sir Nikolaus, 139, 145, 156
Photo Eye, 118,170
‘PhotoEye of the Twenties’, 303
Photo League (New York), 185, 267, 324
Photograms of the Year, 138
Photographers’ Galleiy (London), 139
Photographers on Photography (Lyons, ed.),
302
Photographie, 292
Photography, 137
Photography 1839-1937 (Newhall), 292
Photography Is Not Art (Ray), 20
Photo-Secession Gallery, 12-13, 20,222,231
Piaf, Edith, 92
Picabia, Francis, 18
Picasso, Pablo, 13-14, 18, 23, 38- 41, 65, 84, 316
Picture History of Photography (Pollack), 307
Picture Post, 50-1, 88
Pioneers of Photography (ScharO, 161
Pittsburgh (Smith), 211-12, 215,217
Point, Le, 82
Pollack, Peter, 307
Pompidou Centre, 90, 92
‘Pont Transbordeur, 1928, The’ (Bayer and
Moholy-Nagy),103
Popular Photography, 158, 215
Porter, Eliot, 110, 189-199, 321
Portland Art Museum, 265
Portland Civic Theater, 265
Potemkin, 295
Potonniee, Georges, 307
Prevert,J acques,8 4,8 5, 90,9 4
Priestley,J . B,1 56
Prinet, Jean, 152
Prinsep, Val, 149
Putnam, Brenda, 223
Q
‘Quais, The’ (Doisneau), 78
Queen Victoria (Gernsheirn), 154
R
Rabelais, Franois, 94
Radio Times, 49
Rado, Charles, 79, 82
Ray, Man, 17-24, 73, 108, 137,159,293,
303,307,333
Red Shoes, The, 143
Renault factories, 77-81, 87
Renger-Patzsch, Albert, 135-6, 159, 312
Renoir, Jean, 67, 74
Renou et Colle, 184
Revolutionary League of Writers and
Artists, The (LEAR), 180
Reyher, Ferdinand, 310
344 •
Riboud, Marc, 62
Richter, Hans, 137
Riis,J acob A ,1 60, 307
Rimbaud, Arthur, 94
Rio Grande, Gilpin and, 225-6
‘Ritual Branch’ (White), 275
Rivera, Diego, 67, 170, 181, 183
Road to Survival, 198
‘Road to Victory’ exhibition, 107-8
Robinson, H. P., 167
Rochester Institute of Technology (RIT),
274,302,304, 311
Rockefeller family, 290, 298
Rodger, George, 46-63
Rodin, Auguste, 13
Raethke, Theodore, 239
‘Romanticism and Classicism in Photography’,
127
Ronsard, Pierre de, 94
Roots of Heaven, The (Romain Gary), 198
‘Rose Petals on the Beach'(Porter), 193
Rosebery, Lord, 144
Rosenblum, Walter, 128
Rothermere, Lady, 156
Rothermere, Lord, 157
Rothman, Hemy, 183
Rousseau, Henri, 187
Royal Academy, 135
Royal Photographic Society (RPS), 62, 137, 145, 161, 292-3
S-Z
S
Sachs, Paul]., 289-91, 294, 296
Safranski, Kurt, 135
‘Sahara, The’ (Rodger), 58
Salomon, Erich, 135, 155
Salon de l’Escalier, 45
Sander, August, 135-6, 230, 303
San Francisco Art Institute, 268, 301
San Francisco International Exhibition, 316
Sargent, John Singer, 20
Schad, Christian, 101
Schapiro, Meyer, 267-9, 274
Scharf, Aaron, 159-161
Scherman, Dave, 51
Scherschel, Frank, 51
Schlemmer, Oskar, 100
Schuize, Johann Heinrich, 149
Schwarz, Heinrich, 148, 150,2 97,301
Schweitzer, Albert, 57,208, 210-13
Schwitters, Kurt, 102
‘Seasons, The’ (Porter), 194
Selassie, Haile, 55
Self Portrait (Ray), 21
‘Sense of Abstraction, A’ exhibit, 126
Servadi, Walter, 128
‘75,000 Miles to War’, 52
Seymour, David ‘Chim’, 55, 58, 68, 86
‘Shadows of the Porch Railing’ (Strand), 14
Shahn, Ben, 14, 108
Short Critical History,, A (Newhall), 146
Sierra Club, 193, 194,309,316,325, 328
Silent Spring, 198
Silvester, Hans, 89, 167
Sinsabaugh, Art, 127
Siqueiros, David Alfaro, 181
Siskind, Aaron, 127-8, 160, 302
Sketch, The, 26, 28, 50
‘Sleeping Boy, The’ (Kertesz), 43
Smith, Aileen, 216, 219
Smith, Henry Holmes, 113-132
Smith, Juanita, 210
Smith, W. Eugene
Snow. Carmel
Snowdon, Lord. 10:
Society for Photographic Education
Sokolow, Anna, dancing group.
Solarisation, 121, 245-7, 251
Solbert, General Oscar, 301
Sommer, Frederick, 101, 126
‘Song without Words, The’ (White), 269, 272
‘Sonnet Sequence’ (White), 263
‘Spanish Village, The’ (Smith), 204, 208-10
Spencer, Dr. A. C., 136
Stadlen, Peter, 143
Staley, Norman, 120
Stanfield, Clarkson, 152
Statesman and Nation, The, 145
‘Steerage, The’ (Stieglitz), 259
Steichen, Edward, 13, 14, 30, 58, 108, 116,
124,126,157,159,165,185,186,204,205,
207,223,238,274,275,292,299, 321-24
Stein, Gertrude, 238
Steinert, Otto, 160, 312
Stenger, Dr. Erich, 135, 155, 157
Stephanie, Geny, 127
Stephen, Leslie, 149
Stern, Seymour, 170
Stieglitz, Alfred, 12-14, 18-20, 68, 108, 127,
159, 173-4, 178, 189-192, 198,223,231,
238-39, 245, 249, 257-9, 267-9, 273, 276, 278,
292, 294, 297, 303, 307, 320-3, 327-8, 331-2
Strand, Paul, 11-16, 67, 159, 174, 178, 181,
184,188,192,198,217,223,249,267,269,
2 97,299, 311,317-8, 321,331
Stravinsky, Igor, 100
String Quartet No 14 (Opus 131)
(Beethoven), 208
Strong, Roy, 152, 162
St1yker, Roy, 14, 225, 293, 319-20
Studio, The, 136
‘Sudan Family’ (Rodger), 58
Sudre, J. B., P., 167
Summerson, Sir John, 143
Surrealism, 65, 69, 106, 184
Swift, Henry, 234
Swiss Foundation of Photography, 166
Szarkowski, J ohn,4 4,6 8,1 65,2 79
T
Talbot, W. H. F., 150
Tales of Hoffinan, 143
Tant qu’il y aura des betes (Brassai), 40
Tat/et; The, 26, 28, 50
Tennyson,A lfred Lord,1 52
Thackeray, Anne, 149
Thames & Hudson, 161
Theatre Arts, 115, 117
This ls the American Earth, 309
Thomas, Dylan, 312
Thoreau, Henry David, 193, 195
Those impossible English (Bell and
Gernsheirn), 148
Time in New England (Strand & Newhall), 15
Times, The (London), 145, 147, 156
Tintype (Reyher), 310
Toklas, Alice, 238
Toronto Daily Star, 313
Transmutations (Brassai), 41
Tropic of Cancer (Miller), 40
Twelve Seasons, The, 198
‘291’, 12-13, 223
Tzara, Tristan, 137
U
Uccello, Paolo, 20
Uelsmann,J erry,1 08,1 27,3 33
Ulistein, Ludwig, 135
Underhill, Evelyn, 275
UNESCO photographic conference, 157
University of New Mexico, 304, 306, 309
University of Texas, 163
Upton,J ohn, 275
US Camera, 318,326
Utopia or Else (Dumont), 70
Uvachrome, 134, 136
V
Vacquerie, August de, 309
van der Post, Laurens, 57
van der Rohe, Mies, 105
Vandivert, Bill, 51, 55
Van Dyke, Willard, 171, 174, 234-5, 319
Van Gogh, Vincent, 248; exhibition, 290
Vanishing Navaho, The (Gilpin), 225
Vanity Fair, 116, 235
Variety, 295
Victoria & Albert Museum, 155, 158, 160, 162
Victorian Society, The, 162
Vie Ouvriere, La., 88
Vigneau, Andre, 76-8
Village Romeo and Juliet, A (Delius), 207
Visual Studies Workshop, 302
Viva, 93, 95
Vivex, 136
Vogel, Lucien, 293
Vogue, 22, 29, 30, 35, 86-8, 105-6, 235, 293
Vortographs (Coburn), 101
Vox, Maximillien, 80
Vrai, 80
Vroman, Adam Clark, 309
Vu, 43, 293-4
W
Wadenoyen, Hugo van, 138
Walden (Thoreau), 193
Wales, Prince of, 49
‘Walk to Paradise Garden, The’ (Smith), 207
‘Wall Street’ (Strand), 12
Warburg Institute of Art, 134, 143-4
Warhol, Andy, 19
Washington Square (Kertesz), 45
Watts, G. F., 149, 152
‘Wave, The’ (Strand), 184
Weber, Max, 222
Weil, Dr. Ernst, 150
Welpott, Jack, 131
West, Benjamin, 222
Weston, Brett, 169-178, 192
Weston, Charis, 296-7
Weston, Cole, 174-5
Weston, Dody, 175
Weston, Edward, 41, 77, 116-7, 138, 159, 181, 197, 202, 234-5, 249-50, 253, 255, 259, 267-70, 272, 292-7, 302-3, 309,311,317,319,322,321, 326, 328, 330-1
Weston, Elinore, 174
White, Clarence, 12, 128; school of, 222, 224
‘White Fence, The’ (Strand), 14
White, Minor, 12, 110, 126-7, 192, 197, 199,
256, 261-288, 301-2, 326-7
White Sands Portfolio (Weston), 177
Whitehead, Alfred North, 253
Wild, Hans, 51
Winogrand, Garry, 302
Wittkower, Dr. Rudolph, 144
Woolf, Virginia, 148-9
Works progress Administration (WPA), 264
World Exhibition of Photography, 135
World War I, 14
World War II, 14, 31, 68, 103, 113, 127, 173-+,
194,223,237,265,298,322
XYZ
Young, Charlotte, 151
YMCA Camera Club, 271
Zaluka, Leo, 115
Zen in the Art of Archery (Herrigel),
70,124,275
Ziff Davis, 205
Zola, Emile, 309