Hill & Cooper

Dialogue with photography

Hill, P. & Cooper, T (2018) Dialogue with photography. Stockport: Dewi Lewis Publishing


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QuotesContentsIndex


Quotes

text


Contents

Paul Strand 11

Man Ray 17

Cecil Beaton 25

Jacques-Henri Lartigue 34

Brassai 37

Andre Kertesz 42

George Rodger 46

Henri Cartier-Bresson 64

Robert Doisneau 75

Herbert Bayer 97

Henry Holmes Smith 113

Helmut Gernsheim 133

Brett Weston 169

Manuel Alvarez Bravo 179

Eliot Porter 189

W. Eugene Smith 200

Laura Gilpin 221

Imogen Cunningham 229

Wynn Bullock 243

Minor White 261

Beaumont Newhall 289

Ansel Adams 314

Index 335


Index A-C

A

Abbott, Berenice, 23, 165, 307

Abu Simbel. 157

Adams, Ansel, 40, 108, 110, 126, 171, 188-190, 192, 197, 216, 223, 267-69, 272-3, 296-8, 301, 307-10, 314-333

Adams, Clinton, 304

Adamson, Robert, 149, 152

‘Adet’, 86

Afterimage, 188

Agence Rapho, 79, 82, 86, 89

Albers, Josef, 100, 104, 300

Album, 139

Alland, Alexander, 307

Alliance Photo, 85

Almassy, Paul, 167

Alvin Langdon Coburn, Photographer (Gernsheim), 166,231,309

America.- Picture Book of an Architect (Mendelsohn), 295

American Ceramic Society, 118

American Earth, The, 309, 325

American Museum of Natural Histo1y, 226

American Place, An, 173, 190-1, 294,319

American Society of Magazine Photographers, The,303

Americans, The (Frank), 213

‘Amputations’ (White), 266, 271

Anderson, Paul, 222

Annan, Craig, 149-152

Annan, Thomas, 150

Apenure, 65-66, 216, 273-4, 278, 302

Aperture Histo1y of Photography series, 66

Arbus, Diane, 213, 297, 302

Architects’Joumal, The, 145

Architectural Review, The, 145, 148

Armitage, Merle, 175

Armo1y show (1913), 18,316

Art Center (California), 22

Art Center School, 246, 3128, 326

Art and Photography (ScharO, 160

Art Through the Ages (Gardner), 115

Arts Council of Great Britain, 61, 155

Ascent of Man, The (Bronowski), 251

Ashton, Leigh, 155

Aspen Institute for Humanistic Studies, 110

‘Assassinated Worker, The’ (Bravo), 184

Atget, Eugene, 23-4, 45, 88, 94, 159, 165, 306-7

Atlantic Richfield, 110

Avedon, Richard, 32, 235, 240

B

Baer, Morley and Frances, 175

Bailey, David, 32

Bailey, Oscar, 127

Barbey, Bruno, 62

Barr, Alfred J., jr., 291

‘Battles and Games’ (Smith), 123

Baudelaire, Charles, 94

Bauhaus, 76, 98-107, 112, ff-21. 1 . t – (see also New Bauhaus)

Bavarian State School of Photography 134

Bayer, Herbert, 97-112. 135

Beame, Abraham, 45

Beaton, Cecil, 25-33, 87, 137, 156, 232

Beautiful London (Gernsheim), 145

Beethoven, Ludwig van, 208, 328

Bell, Clive, 148, 156

Bell, Quentin, 148

Bell, Vanessa, 148-9

Berliner Illustrierte, 135

Beny, Ian, 62

Bibliograpby of British Books Illustrated with

Original Pbotographs, A (Gernsheirn), 166

Bibliography of British Photographic

Literature, A (Gernsheim), 166

Biblioteque Nationale, 40, 157

Bischof, Werner, 86

Bistro-Tabac (Brassai), 41

Black Star agency, 50-1

‘Blind Woman, The’ (Strand), 13

Bloomsbmy School of Photography, 49

‘Bohemia’ (Rousseau), 187

Bonnard, Pierre, 38, 7 4

Book of Beauty (Beaton), 28

Born Free and Equal (Adams), 324

Boubat, Edouard, 83

Bourke-W’hite, Margaret, 203-4

Bourne, Samuel, 149

‘Bowls’ (Strand), 14

Boyer, Alden Scott, 305

Brady, Mathew, 160, 307, 320, 323

Brancusi, Constantin, 13, 19

Brandt, Bill, 23, 30, 51, 73, 137, 188, 259

Braque, Georges, 13, 23, 38

Brassa·1, 23, 37-41, 44, 73, 75, 74, 79, 83, 92

Bravo, Manuel Alvarez, 67, 179-188

Breton, Andre, 65, 183-4

Brett Weston Photographs, 175

336 •

Breuer, Marcel, 99-100, 104, 107

Brigman, Anne, 235

British Broadcasting Corporation (BBC),

48-50, 162-3

British Film Institute, 156

British Medical Society, 246

British Museum, 144, 151, 153, 224

British Royal Family, 31

Brodovitch, Alexey, 38

Bronowski, Dr. Jacob, 129, 251

Brower, David, 194

Bruce, David, 152

Bruehl, Anton, 119,321

Bruguiere, Francis, 116-7, 119

Bullock, Wynn, 108, 243-260, 284

Bunnell, Peter, 311

Burden, Shirley, 274

Bystander, 50

C

Cagney, James, 235

California School of Fine Arts, 268, 274, 326

California and tbe West (Weston), 297

Callahan, Hany, 267

Camera, 167

Camera Club (Boston), 295

Camera Craft, 264,315

Camera 1Vork, 13,150,222,232,273,285,315

Cameron, Julia Margaret, 146, 148-9, 152, 159,

240, 296, 311

Cannes Festival, 40

Canyon de Chelly, 224,227,307,311

Capa, Cornell, 71, 216

Capa, Robert, 52-59, 68-69, 86, 216

Caponigro, Paul, 197, 278, 286, 301

Carjat, Etienne, 296

Carlyle, Thomas, 149

Carroll, Lewis, 151-2

Cartier-Bresson, Henri, 23, 39, 44, 55, 57, 64-

74, 80,85, 159,174,181,183,188,217,227,

236,299,313,327

Castaneda, Carlos, 285

‘Cathedral of Socialism’ (Feininger), 98

Cendrars, Blaise, 79, 84-5, 94

Central School of Classic Art, 180

Cezanne, Paul, 13, 244, 248

Chagall, Marc, 43

Champs delicieux, 137

Chappell,W alter,2 75

Charles-Roux, Edmonde de, 86

Charlot, Jean, 170

Chemische Versuche (Schulze), 151

Chicago Art Institute, 116

Chicagoan, The, 115

Chisso Corporation, 218

Christian IX, King, 54

Churchill Club, 145

Churchill, His Life in Photographs

(Gernsheim), 145

Churchill, Randolph, 144

Churchill,W inston,1 44

‘City Hall Park'(Strand), 12

Clark, Sir Kenneth, 145, 155-6

Clark, Lady, 145

Clergue, Lucien, 167

Clifford, Charles, 135

Clift, Bill, 199

Cloisters, The, 290

Clore, Charles, 163

Coburn, Alvin Langdon, 166, 231, 309

Coke, Van Deren, 127, 161, 304

Coleman, A D., 279

College of Art Journal, The, 291

Colliers, 115, 204

Combined Societies, 138-9

Comptes Rendues, 153

‘Concerned Photographer, The’ (Smith), 216

Concerning the Spiritual in Art (Kadinsky), 98

Concise History (Gernsheim), 159

Container Corporation of America, 107-9, 273

Contrejour, 188

Conversations avec Picasso (Brassa1), 41

Cooling Galle1y, London, 27-8

Cordier, Pierre, 167

Corot, Camille, 41

‘Country Doctor, The’ (Smith), 208-9, 212

Count1y Life, 145, 148

Counauld Institute of Art, 139, 145, 160, 290

Cox, Trenchard, 162

Craig, Gordon, 116

Creative Arts, 115

Creative Camera, 167

Creative Photography group, 139

Creative Photography (ScharD, 160

‘Creative Photography, 1826 to the Present’, 164

Cubism and Abstract show, 292

Cubists (ism), 13, 106, 248, 290-1

Cunningham, Imagen, 198, 229-242, 315,319

Curtis,Al fred,2 21

Curtis, Edward, 224, 229-30. 233, 309, 311


D-L

D

Dadaism, 18, 21, 23, 102

Daguerre, 150, 155, 160

Dali, Salvador, 28, 109

Dame, Die, 135

Danielle’s, 18

Darwin, Charles, 149

Daumier, Honore, 296

David Octavius Hill (Schwarz), 152, 296 Davidson, Bruce, 198

Davies, Sue, 139

Daybooks (Weston), 115,177,302

de Brunhoff, Michel, 86

‘Decadent Art’ exhibition, 135

‘Deed ofDemission’ (Hill), 150

Degas, Edgar,65,309

de Gaulle, Charles, 51, 55

Delacroix, Eugene, 41, 302

Delano, Jack, 14

Delius, Frederick, 207

Delphic Galle1y, 191

Delpire, Robert, 57-8, 66

De Meyer, Baron Alfred, 30, 232

Design, 117

Deutsche Werkbund, 292

de Young Museum, 171,319

Dictionary of National Biography, 149

Die Form, 292

Dieuzaide, Jean, 167

Dilaccer, Antoinette, 152

Dityvon (Raimond Dityvon), Claude, 93

Dixon, Maynard, 236

Doisneau, Robert, 57, 68, 75-96

Doors of Perception, The (Huxley), 275

Dove, Arthur, 13, 232, 321

Drawingfrom the Cast (Gardner), 115

Du,45

Du Camp, Maxine, 309

Duchamp, Marcel, 18, 23

Duckworth,Julia, 149,311

Duell, Charles, 300

Dumont, Rene, 70

E

Eastman, George, 300 (see also George Eastman House)

Eastman Charitable Trust, 301

Eastman Kodak Company, 192, 196, 300

Ecole de Photo de Vaugirard, 91

Eder, Joseph Maria, 157, 307

Edward VII (Gernsheim), 154

Edward VlII, King, 49

Edwards, Emily, 183

Edwards, John Paul, 319

‘Egg Slicer, The’ (Weston), 115

‘Egyptian Family’ (Rodger), 58

Eisenstaedt, Alfred, 55, 106, 135

Eisenstein, Sergei, 106, 170

Eisner, Marie, 56

‘Elephants Have Right of Way’, 58

Elizabeth, Queen (mother), 31

Elliott, Dr. Andrew, 150

Eloquent Light, The, 309

Emerson, Peter Henry, 308-9

Encyclopaedia Britannica, 159, 166, 257

‘Entrants de Mondrian’ (Kertesz), 44

Entretiens (Breton),

65 Erdekes Ujsag, 43

Erwitt, Elliott, 83

Ethical Culture School, 11

‘Evaluating Photography’, 282

Evans, Walker, 14, 67,108,183,198,218,293, 298,307,309,320

Excelsior, 78

Expressionists (ism), 101-2,

F

Family of Man

Far Horizons (Adams)

Farm Security Administration (FSA), 14, 48,

159,183,225,235,245, 293,30􀃑319􀃒0

Fashion and Reality (Gernsheim), 154

Feininger, Lyonel, 98, 245

Fenton, Roger, 149

Festival of Britain exhibition, 150

Fichter, Robert, 127

Fieger, Erwin, 160, 167

‘Film und Foto’, 103, 170, 181, 292

‘Flea Market, The’ (Doisneau), 78

Focus on Architecture and Sculpture

(Gernsheim), 145-6

Fondo Editorial de la Plastica Mexicana, 185

Fontana, Franco, 160, 167

Ford, Colin, 152

Forth, Robert, 130

Fortune, 322, 327

Fountain Press, 146, 157-8

Frank, Robert, 212-6, 302

Franklin College, 134

French Society of Photography, 88, 157, 293

Freund, Karl, 295

Friedlander, Lee, 302

Friends of the Bauhaus, 100

Frith, William Powell, 149

‘Front de Seine’ (Doisneau), 89

Frontier Films, 14

Fiy, Roger, 148, 296

Futurists, 20

G

Gal, Pino dal, 167

Garbo, Greta, 31

Gardner, Helen, 115

Gmdner’s Photographic Sketch Book of

the War, 151

Gauguin, Paul, 248

Gauthier Villars. 153

Gee, Helen, 311

George Eastman Associates. 30 I

George Eastman House, 1:2 . 16…-􀃓. :

277, 302-4, 306,309,323

George N, King, 31

Gernsheim, Alison, 146, 153-5, 15- lb:?-_

Gernsheim, Helmut, 133-168, 306

Gernsheim Museum of Photographv.

Foundation, 164

Gianella, Victor, 167

‘Giant, The’ (Smith), 124

Gibbs-Smith, Charles, 158, 162

Gibson, Ralph, 214, 281

Gilpin, Laura, 221-228

Gosling, Nigel, 152, 163

Goya, Francisco Jose de 15, 20

Graffiti, 41

Grant, Ca1y, 235

Graves, Morris, 239

Grimes, Sam, 195

Gropius, Walter, 99-107

Gros, Andre, 166

Grosset, Raymond, 82, 86

Grosz, George, 102

Group f/64, 171,223, 234-5, 293,319

Guggenheim Fellowship, 176,199,241, 297,

299,310, 325-6, 328

Gurdjieff, 275, 277, 282, 286

H

Hagemeyer,Johan, 170, 174

Harper’s Bazaar, 22, 35, 38

Hartley, Marsden, 13, 321

Hastings, MacDonald, 51, 162

Hattersley, Ralph, 127, 302

Hausser, Robert, 167

Haz, Nicholas, 123

Heartfield,J ohn,1 02, 135

Heckroth, Hein, 143

Heinecken, Robert, 255

Hemingway, Ernest, 313

Hemy Miller: Grandeur Nature (Brassai),

40,41

Herrigel, Eugene, 124

Herschel,John, 149

Hicks,W ilson, 204

Hill, D. 0., 150, 152, 159, 296

Hine, Lewis, 11, 12

Hirn, 35

Histoire de Marie, l’ (Brassai), 41

‘Histoire d’un soldat, L’ (Stravinsky), 100

History of Photography, The (Gernsheim),

146, 154-5

History, of Photography, The (Newhall),

300,310

History of Photography (Stenger), 157

‘Hist01y of Photography’ exhibition, 239

Hitachi, 217

Holiday, 175

Hopkinson, Torn, 156

Hoppe, E. o., 137-8

How to Make Better Pictures (Kodak), 295

How the Other Half Lives (Riis), 307

Hugo, Charles, 309

Hugo, Victor, 309

Hull House, 183

Hundred Years of Photography, A (Moholy),

137

Hurder & Oiffield, 318

Hutton, Kurt, 50

Huxley, Aldous, 275

Huxley, Sir Julian, 157

I

I Ching, 277

Idylls of the King (Tennyson), 149

Illustrated, 56

Illustrated London News, 145, 226

Jllustrie1te Zeitung, 306

Image, 301-2

In \Vildness (Porter), 193, 199

‘Indian Family’ (Rodger), 58

Indiana University, 123, 126-7

Ingres, Jean Auguste, 19

Institute of British Photographers, 134

Institute of Contemporary Arts, 139

Institute of Design, 107

Itten,J ohannes, 99-102, 104

J

Jackson, \YI. H., 226,331

Jacobi, Lotte, 126

Jannings, Emil, 295

‘Jardin’ (Frevert), 90

Jeffers, Robinson, 171

Jewish Museum, Smith exl1ibition at, 217-8

Johnston, J. Dudley, 138, 161

Julia Margaret Cameron (Gernsheim),

146, 152

Jung,Carl,287

K

Kalvar, Richard, 93

Kaminski, Edward, 246

Kandinsky, Vasili, 98, 100-1, 104

Kane, Art, 108

Kasebier, Gertrude, 12, 222-3, 229, 232, 294

Kelly, Sir Gerald, 156

Kennedy, Clarence, 301

Kepes, Gyorgy, 120

Kertesz, Andre, 37-8, 42-5, 75, 106

Keystone Agency, 43

Kirstein, Lincoln, 68, 298-9

Klee, Paul, 99-101, 104

Korff, Kurt, 135

Krims, Les, 240

L

Labyrintbe, 41

Ladies’ Home Journal, 56

La Faille, Georges, 92

Lamartine, Alphonse de, 94

Land, Dr. Edwin, 194, 325, 331

Land Birds of America, 195

Landau, Ergy, 79

Landry, Bob, 51

Lange, Dorothea, 14,198,217,235,273,

293,315,324,326

Lartigue,J acques-Henri,3 4-36

Lazar, Arthur, 199

Le Bas, Boy, 27

Leclerc, Colonel Jean, 51, 55

Lecuyer, Raymond, 157

Leger, Fernand, 85

Le Gray, Gustave, 149

Legion of Honor Museum, 271

Le Grande Art Center, 264-5

Lejard, Andre, 292

Le Querrec, Guy, 93

Lerski, Helmar, 135

Let Us Now Praise Famous Men

(Agee and Evans), 218

Levy,J ulien; Galle1y of,4 4,6 7, 109,1 65,1 83

Lewis Carroll – Photographer (Gernsheim)

152

Lhote, Andre, 65, 74

Library of Congress, 165, 226

Life, 44, 49, 50-5, 70, 82, 88, 202-5, 208-211,

213,219,226,280,294,322

Life and Landscape on tbe Nmfolk Broads

(Emerson & Gernsheim), 147

‘Life in Paris’ (Doisneau), 86

Ligbt, 273

Lissitzky, El, 102, 137

Listener, The, 49

Living Birds of tbe World, 195

Living Insects of tbe World, 195

London Salon, 137

Looking at Pbotograpbs (Szarkowski), 68, 279

Lorant, Stefan, 50, 135, 306

Los Angeles County Museum, 234, 246

Lower Animals, The, 195

Luce, Herny, 51, 52, 294

Lummis, Charles, 309-10

Lyons, Nathan, 126-128, 302-305


M-R

M

Mabry, Thomas Dabney, 298

McAlpin, David, 191, 298, 311, 322

Macbeth, 116

McCarthy, Joseph, 70

MacPherson, Robert, 149

‘Magnolia’ (Cunningham), 239

Magnum, 55-6, 58-9, 61-2, 68-9, 86, 212,

215,329

Magritte, Rene, 106

Maher, Herbert, 108

‘Maid at the Window, The’ (Brandt), 259

Making a Photograph (Adams), 298

Malevich, Kazimir, 102

Mait an,J osef,1 00

Man, Felix H., 152, 306

Man Behind the Camera, The (Gernsheim)

Manet, Edouard, 20

Mann, Marge1y, 230, 236

Marginalia (Lucia Moholy), 137

Marin, John, 13, 232, 321

Marshall Field’s, 118

Mary, Queen, 31

Massachusetts Institute of Technology (MIT),

194,276,280,282,284

Massey, Vincent, 140

‘Masterpieces of Victorian Photography’, 155

Matisse, Henri, 23-4, 38, 259

Meatyard, Ralph Eugene, 127

Memories, Dreams, Reflections Qung), 287

Mendelsohn, Erich, 295

Messerli,N iggi,1 67

Metropolitan Museum of Art, 24, 290, 298, 323

‘Mexico’, 184

‘Mexico Photographs’ (Bruehl), 119

Meyer, Hannes, 103-4

Michaelson, Kate, 152

Michals, Duane, 82

Miller, Henry, 40-1

Mills College, 232, 234-5

Minamata (Smith), 206,211,215, 217-9

Minicam, 121-3

Ministere des Sports et de la jeunesse, 80

Ministry of Information (London), 31, 145

Mirrors, Messages and Manifestations (\Xlhite),

272,286

Modotti, Tina, 180-2

Moholy, Lucia, 102, 137, 141

Moholy-Nagy, Llszl6, 106, 117-23, 135, 137,

159, 292-3, 298,303

Mohr, Jean, 167

Mondrian, Pieter Cornelis, 43-4

Montgomery, General Bernard, 54

342 •

Moonrise (Adams), 328

Moore, Raymond, 167

Morgan, Barbara, 170, 267, 273, 275, 306,

309,324

Morris, William, Arts and Crafts group of, 292

Muhr, Adolf, 233

Mumford, Lewis, 292

Munkacsi, Martin, 43, 66, 74, 106, 135

Musee de l’Armee, 80

Museum of the City of New York, 294

Museum of Modern Art (MOMA), 24, 44, 68, 107,146,164, 182,239,267,275,290-2,298, 302-4,313, 319,321,323

Museum of Modern Art (Moscow), 185

Museum of Modern Art (Stockholm) 165

Music Box Revue, 244

Muybridge, Eadweard, 160

My Camera in the National Park (Adams), 326

Mydans, Carl, 204

Mysticism, 275

N

Nadar, 152

Napoleon, 39, 80

Nast, Conde 45

National Buildings Record (NBR), 142-145

ational Collection of Photography, 156

National Endowment of the Arts grant, 176

National Galle1y, exhibition at, 145

National Geographic, 58, 194

National Institute of Art (Mexico), 185

National Portrait Galle1y, 32, 139

National Press Photographers Association of

America, 302-3

National Science Foundation, 198

National Treasury (Mexico), 180

National Trust, 162

Navahos, Gilpin and, 224-227

Negre, Charles, 160

‘Neue Sachlichkeit’, 101, 134

Neusi.iss, Floris, 167

New Bauhaus, 101, 107, 118-21, 137

‘New Objectivity’, 101

New Photo vision (Gernsheim), 138, 143, 145-6

New Vision, The (Moholy-Nagy), 117-8, 120

New York School, 18

New York Times, The, 204, 306

New Yorker, The, 115, 292

Newhall Beaumont, 23, 68, 107, 146-7, 155,

159,165,174,258,267,274, 289-313, 320,

322-3, 331

Newhall, Nancy, 15, 68, 146, 173-4, 194, 267-8,

271, 273, 275, 290-1, 293, 296-305, 307-10,

322-3, 325, 330-1

Newsweek, 202

Niepce, Joseph N., 155

Noel, Frank (‘Pappy’), 201

Nubas of Kordofan, 55, 57, 63

‘Nude Descending the Staircase’ (Duchamp), 18

Numberg, Walter, 137

‘Nurse-Midwife’ (Smith) 208

O

Observateur; L’, 82

‘Oeil de Paris, L'(Miller), 40

Ohio State University, 117

O’Keeffe, Georgia, 190-1, 238,267,298

Olga, Princess, 31

‘One Hundred Years of Photography’, 156

Optical Society of America, 196

Oregon Camera Club, 264, 271

Orozco, Jose Clemente, 170, 181

O’Sullivan, T. H., 307, 311, 331-2

Oxford University Press, 154, 158

P

Paepcke, Walter, 109

Painted 1.Y/alls of Mexico, The (Bravo and

Edwards), 183

Painting and Photography (Gernsheim), 161

Palacio de Bellas Arte . 1 2

Pare Montsouris (Preverr). 90

Paris after Dark (Brassai), 3

Paris de nuit (Brassai), 38, 40, -5, 90

Paris secret des annees (Brassai), 39. -! 1

Parkinson, Norman, 32

Paroles en !’air (Brassai), 41

Payant, Felix, 117

Pencil of Nature (Talbot), 150

Penn, Itving, 32, 87

Penrose Annual, 118

‘People Are People the World Over’, 56, 58

‘Pepper’ (Weston), 116, 130, 132

Peter Grimes (Britten), 208

Pevsner, Sir Nikolaus, 139, 145, 156

Photo Eye, 118,170

‘PhotoEye of the Twenties’, 303

Photo League (New York), 185, 267, 324

Photograms of the Year, 138

Photographers’ Galleiy (London), 139

Photographers on Photography (Lyons, ed.),

302

Photographie, 292

Photography, 137

Photography 1839-1937 (Newhall), 292

Photography Is Not Art (Ray), 20

Photo-Secession Gallery, 12-13, 20,222,231

Piaf, Edith, 92

Picabia, Francis, 18

Picasso, Pablo, 13-14, 18, 23, 38- 41, 65, 84, 316

Picture History of Photography (Pollack), 307

Picture Post, 50-1, 88

Pioneers of Photography (ScharO, 161

Pittsburgh (Smith), 211-12, 215,217

Point, Le, 82

Pollack, Peter, 307

Pompidou Centre, 90, 92

‘Pont Transbordeur, 1928, The’ (Bayer and

Moholy-Nagy),103

Popular Photography, 158, 215

Porter, Eliot, 110, 189-199, 321

Portland Art Museum, 265

Portland Civic Theater, 265

Potemkin, 295

Potonniee, Georges, 307

Prevert,J acques,8 4,8 5, 90,9 4

Priestley,J . B,1 56

Prinet, Jean, 152

Prinsep, Val, 149

Putnam, Brenda, 223

Q

‘Quais, The’ (Doisneau), 78

Queen Victoria (Gernsheirn), 154

R

Rabelais, Fran􀃟ois, 94

Radio Times, 49

Rado, Charles, 79, 82

Ray, Man, 17-24, 73, 108, 137,159,293,

303,307,333

Red Shoes, The, 143

Renault factories, 77-81, 87

Renger-Patzsch, Albert, 135-6, 159, 312

Renoir, Jean, 67, 74

Renou et Colle, 184

Revolutionary League of Writers and

Artists, The (LEAR), 180

Reyher, Ferdinand, 310

344 •

Riboud, Marc, 62

Richter, Hans, 137

Riis,J acob A ,1 60, 307

Rimbaud, Arthur, 94

Rio Grande, Gilpin and, 225-6

‘Ritual Branch’ (White), 275

Rivera, Diego, 67, 170, 181, 183

Road to Survival, 198

‘Road to Victory’ exhibition, 107-8

Robinson, H. P., 167

Rochester Institute of Technology (RIT),

274,302,304, 311

Rockefeller family, 290, 298

Rodger, George, 46-63

Rodin, Auguste, 13

Raethke, Theodore, 239

‘Romanticism and Classicism in Photography’,

127

Ronsard, Pierre de, 94

Roots of Heaven, The (Romain Gary), 198

‘Rose Petals on the Beach'(Porter), 193

Rosebery, Lord, 144

Rosenblum, Walter, 128

Rothermere, Lady, 156

Rothermere, Lord, 157

Rothman, Hemy, 183

Rousseau, Henri, 187

Royal Academy, 135

Royal Photographic Society (RPS), 62, 137, 145, 161, 292-3


S-Z

S

Sachs, Paul]., 289-91, 294, 296

Safranski, Kurt, 135

‘Sahara, The’ (Rodger), 58

Salomon, Erich, 135, 155

Salon de l’Escalier, 45

Sander, August, 135-6, 230, 303

San Francisco Art Institute, 268, 301

San Francisco International Exhibition, 316

Sargent, John Singer, 20

Schad, Christian, 101

Schapiro, Meyer, 267-9, 274

Scharf, Aaron, 159-161

Scherman, Dave, 51

Scherschel, Frank, 51

Schlemmer, Oskar, 100

Schuize, Johann Heinrich, 149

Schwarz, Heinrich, 148, 150,2 97,301

Schweitzer, Albert, 57,208, 210-13

Schwitters, Kurt, 102

‘Seasons, The’ (Porter), 194

Selassie, Haile, 55

Self Portrait (Ray), 21

‘Sense of Abstraction, A’ exhibit, 126

Servadi, Walter, 128

‘75,000 Miles to War’, 52

Seymour, David ‘Chim’, 55, 58, 68, 86

‘Shadows of the Porch Railing’ (Strand), 14

Shahn, Ben, 14, 108

Short Critical History,, A (Newhall), 146

Sierra Club, 193, 194,309,316,325, 328

Silent Spring, 198

Silvester, Hans, 89, 167

Sinsabaugh, Art, 127

Siqueiros, David Alfaro, 181

Siskind, Aaron, 127-8, 160, 302

Sketch, The, 26, 28, 50

‘Sleeping Boy, The’ (Kertesz), 43

Smith, Aileen, 216, 219

Smith, Henry Holmes, 113-132

Smith, Juanita, 210

Smith, W. Eugene

Snow. Carmel

Snowdon, Lord. 10:

Society for Photographic Education

Sokolow, Anna, dancing group.

Solarisation, 121, 245-7, 251

Solbert, General Oscar, 301

Sommer, Frederick, 101, 126

‘Song without Words, The’ (White), 269, 272

‘Sonnet Sequence’ (White), 263

‘Spanish Village, The’ (Smith), 204, 208-10

Spencer, Dr. A. C., 136

Stadlen, Peter, 143

Staley, Norman, 120

Stanfield, Clarkson, 152

Statesman and Nation, The, 145

‘Steerage, The’ (Stieglitz), 259

Steichen, Edward, 13, 14, 30, 58, 108, 116,

124,126,157,159,165,185,186,204,205,

207,223,238,274,275,292,299, 321-24

Stein, Gertrude, 238

Steinert, Otto, 160, 312

Stenger, Dr. Erich, 135, 155, 157

Stephanie, Geny, 127

Stephen, Leslie, 149

Stern, Seymour, 170

Stieglitz, Alfred, 12-14, 18-20, 68, 108, 127,

159, 173-4, 178, 189-192, 198,223,231,

238-39, 245, 249, 257-9, 267-9, 273, 276, 278,

292, 294, 297, 303, 307, 320-3, 327-8, 331-2

Strand, Paul, 11-16, 67, 159, 174, 178, 181,

184,188,192,198,217,223,249,267,269,

2 97,299, 311,317-8, 321,331

Stravinsky, Igor, 100

String Quartet No 14 (Opus 131)

(Beethoven), 208

Strong, Roy, 152, 162

St1yker, Roy, 14, 225, 293, 319-20

Studio, The, 136

‘Sudan Family’ (Rodger), 58

Sudre, J. B., P., 167

Summerson, Sir John, 143

Surrealism, 65, 69, 106, 184

Swift, Henry, 234

Swiss Foundation of Photography, 166

Szarkowski, J ohn,4 4,6 8,1 65,2 79

T

Talbot, W. H. F., 150

Tales of Hoffinan, 143

Tant qu’il y aura des betes (Brassai), 40

Tat/et; The, 26, 28, 50

Tennyson,A lfred Lord,1 52

Thackeray, Anne, 149

Thames & Hudson, 161

Theatre Arts, 115, 117

This ls the American Earth, 309

Thomas, Dylan, 312

Thoreau, Henry David, 193, 195

Those impossible English (Bell and

Gernsheirn), 148

Time in New England (Strand & Newhall), 15

Times, The (London), 145, 147, 156

Tintype (Reyher), 310

Toklas, Alice, 238

Toronto Daily Star, 313

Transmutations (Brassai), 41

Tropic of Cancer (Miller), 40

Twelve Seasons, The, 198

‘291’, 12-13, 223

Tzara, Tristan, 137

U

Uccello, Paolo, 20

Uelsmann,J erry,1 08,1 27,3 33

Ulistein, Ludwig, 135

Underhill, Evelyn, 275

UNESCO photographic conference, 157

University of New Mexico, 304, 306, 309

University of Texas, 163

Upton,J ohn, 275

US Camera, 318,326

Utopia or Else (Dumont), 70

Uvachrome, 134, 136

V

Vacquerie, August de, 309

van der Post, Laurens, 57

van der Rohe, Mies, 105

Vandivert, Bill, 51, 55

Van Dyke, Willard, 171, 174, 234-5, 319

Van Gogh, Vincent, 248; exhibition, 290

Vanishing Navaho, The (Gilpin), 225

Vanity Fair, 116, 235

Variety, 295

Victoria & Albert Museum, 155, 158, 160, 162

Victorian Society, The, 162

Vie Ouvriere, La., 88

Vigneau, Andre, 76-8

Village Romeo and Juliet, A (Delius), 207

Visual Studies Workshop, 302

Viva, 93, 95

Vivex, 136

Vogel, Lucien, 293

Vogue, 22, 29, 30, 35, 86-8, 105-6, 235, 293

Vortographs (Coburn), 101

Vox, Maximillien, 80

Vrai, 80

Vroman, Adam Clark, 309

Vu, 43, 293-4

W

Wadenoyen, Hugo van, 138

Walden (Thoreau), 193

Wales, Prince of, 49

‘Walk to Paradise Garden, The’ (Smith), 207

‘Wall Street’ (Strand), 12

Warburg Institute of Art, 134, 143-4

Warhol, Andy, 19

Washington Square (Kertesz), 45

Watts, G. F., 149, 152

‘Wave, The’ (Strand), 184

Weber, Max, 222

Weil, Dr. Ernst, 150

Welpott, Jack, 131

West, Benjamin, 222

Weston, Brett, 169-178, 192

Weston, Charis, 296-7

Weston, Cole, 174-5

Weston, Dody, 175

Weston, Edward, 41, 77, 116-7, 138, 159, 181, 197, 202, 234-5, 249-50, 253, 255, 259, 267-70, 272, 292-7, 302-3, 309,311,317,319,322,321, 326, 328, 330-1

Weston, Elinore, 174

White, Clarence, 12, 128; school of, 222, 224

‘White Fence, The’ (Strand), 14

White, Minor, 12, 110, 126-7, 192, 197, 199,

256, 261-288, 301-2, 326-7

White Sands Portfolio (Weston), 177

Whitehead, Alfred North, 253

Wild, Hans, 51

Winogrand, Garry, 302

Wittkower, Dr. Rudolph, 144

Woolf, Virginia, 148-9

Works progress Administration (WPA), 264

World Exhibition of Photography, 135

World War I, 14

World War II, 14, 31, 68, 103, 113, 127, 173-+,

194,223,237,265,298,322

XYZ

Young, Charlotte, 151

YMCA Camera Club, 271

Zaluka, Leo, 115

Zen in the Art of Archery (Herrigel),

70,124,275

Ziff Davis, 205

Zola, Emile, 309